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Looking at our times through the prism of the moving image.

 

At Fondazione In Between Art Film, we foster dialogues between video, cinema, and performance, supporting artists and institutions whose visions cross the boundaries between creative disciplines.

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Ott 6

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Sneak peak from the upcoming video documentation of CANICULA, where 2050+ architects Ippolito Pestellini Laparelli e Francesca Lantieri expand upon the concept of the exhibition’s scenography Developed in close relation with the content of the works, as well as with the architecture and history of the Complesso dell’Ospedaletto, the exhibition design becomes an additional perceptive and narrative element in the overall experience of the exhibition, starting from the use of materials that evoke and make manifest the erosive action of muggy weather and sunlight. The exhibition route comprises the environments that house the works, as well as rooms and spaces that appear isolated and protected, as if in an effort to stem the destructive potential of damaging external agents. And it is the staging of a hypothetical dialogue with a threatening outside world that guides the use of light throughout the exhibition – a light that hints, at different levels of intensity, at an intolerable climate bearing down on the space of the exhibition CANICULA is open until November 22 at the Complesso dell’Ospedaletto in Venice and features 8 new site-specific video installations commissioned from Lawrence Abu Hamdan, Massimo D’Anolfi and Martina Parenti, Roman Khimei and Yarema Malashchuk, Janis Rafa, P. Staff, Wang Tuo, Yuyan Wang, and Maya Watanabe Curated by @alessandro.rabottini and @leonardobigazzi Scenography by @2050.plus Video credits: Directed and edited by @daviderapp Filmed by @_giorgiodemarco_ Editorial Supervision and Project Coordination by @anninacastelli Graphic Design by @lorenzomasonstudio

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Ott 5

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Sneak peak from the upcoming video documentation of CANICULA, where artists Roman Khimei and Yarema Malashchuk speculate on fiction as a potential site for dialogue between victims and oppressors In a sequence of five rooms within what was the former care home – prior to its closure in the early 2000s – Roman Khimei and Yarema Malashchuk site a multichannel video installation titled Wishful Thinking (2026). The work consists in a series of speculative testimonies in which elderly Russian soldiers, close to death, recall their involvement in the war against Ukraine. Projecting their stories into the future and into the final moment of their individual existence, the work intertwines the banality of violence with regret or its absence, and collective history with individual memory CANICULA is open until November 22 at the Complesso dell’Ospedaletto in Venice and features 8 new site-specific video installations commissioned from Lawrence Abu Hamdan, Massimo D’Anolfi and Martina Parenti, Roman Khimei and Yarema Malashchuk, Janis Rafa, P. Staff, Wang Tuo, Yuyan Wang, and Maya Watanabe Curated by @alessandro.rabottini and @leonardobigazzi Scenography by @2050.plus Video credits: Directed and edited by @daviderapp Filmed by @_giorgiodemarco_ Editorial Supervision and Project Coordination by @anninacastelli Graphic Design by @lorenzomasonstudio

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Set 30

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Sneak peak from the upcoming video documentation of CANICULA, where artist Maya Watanabe elaborates on the role of vision and visibility in her video installation “Jarkov” Within surroundings where the darkness is designed as a spatial experience, the work by Maya Watanabe titled “Jarkov” (2026) exposes us to a paradox of vision and knowledge. The camera leads us into very close proximity with a woolly mammoth from 20,000 years ago, discovered in the Arctic tundra as a result of the increase in temperatures caused by global warming, and forces us to grapple not only with timescales that exceed human understanding but also with the fragility of life CANICULA is open until November 22 at the Complesso dell’Ospedaletto in Venice and features 8 new site-specific video installations commissioned from Lawrence Abu Hamdan, Massimo D’Anolfi and Martina Parenti, Roman Khimei and Yarema Malashchuk, Janis Rafa, P. Staff, Wang Tuo, Yuyan Wang, and Maya Watanabe Curated by @alessandro.rabottini and @leonardobigazzi Scenography by @2050.plus Video credits: Directed and edited by @daviderapp Filmed by @_giorgiodemarco_ Editorial Supervision and Project Coordination by @anninacastelli Graphic Design by @lorenzomasonstudio

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Set 21

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Sneak peak from the upcoming video documentation of CANICULA, where artist Wang Tuo elaborates on the fraught relationship between the ideas of public and private spaces in his video installation “The Experimental Paradigm of Ownership and Autonomy” In what was the pharmacy of the ancient hospital, Wang Tuo sets his two-channel video installation “The Experimental Paradigm of Ownership and Autonomy” (2026), a fictional tale that addresses the tension between the individual experience of events and organised forms of political life. The fragility of the human body becomes a metaphor for the heterogeneity of collective memory, while the past, the present and the future are seen as caught in a perennial cycle of control and amnesia, fabricated truths and omissions CANICULA is open until November 22 at the Complesso dell’Ospedaletto in Venice and features 8 new site-specific video installations commissioned from Lawrence Abu Hamdan, Massimo D’Anolfi and Martina Parenti, Roman Khimei and Yarema Malashchuk, Janis Rafa, P. Staff, Wang Tuo, Yuyan Wang, and Maya Watanabe Curated by @alessandro.rabottini and @leonardobigazzi Scenography by @2050.plus Video credits: Directed and edited by @daviderapp Filmed by @_giorgiodemarco_ Editorial Supervision and Project Coordination by @anninacastelli Graphic Design by @lorenzomasonstudio